Narendra Modi and a 14th-century Delhi Sultan: A Study in Megalomania

Vinay Lal

The 14th-century Sultan of Delhi, Muhammad Tughluq, was by all accounts a stern, puritanical, and yet generous ruler, characterized above all by capriciousness and a brutal exercise of power.  Perhaps the most reliable and certainly one of the most detailed narratives of his rule comes from the hand of ibn Batuta, a Moroccan traveler who spent six years at the Sultan’s court.  Ibn Batuta observes at the outset that “this king is of all men the most addicted to the making of gifts and the shedding of blood.”  Over the next thirty pages, ibn Batuta details the gifts that the Sultan showered upon nobles but especially foreigners, following it up with gruesome accounts of the punishments he meted out to those who dared so much as to disagree with him.

An illustration from Jules Verne’s book “Découverte de la terre” (“Discovery of the Earth”)
drawn by Léon Benett. IbnBatuta is shown with his guide in Egypt. Source:  http://www.artfinder.com/work/ibn-battuta-in-egypt-hippolyte-leon-benett/
Continue reading

Modi Goes Down to Crushing Defeat in West Bengal: A Ray of Hope for India?

(First in a projected mini-series on the West Bengal Assembly Elections. For non-Indian readers or others not immersed in the nitty-gritty of Indian politics, the state assembly elections determine which party will rule the state. In the present round of assembly elections, five states went to the polls in the midst of the coronavirus pandemic, which has wrought havoc in India in recent weeks. Far from being suspended, elections in West Bengal were held over a period of five weeks.)

The incumbent Chief Minister of the Trinamool Congress (TMC), Mamata Banerjee, popularly known in Bengal as “Didi” (literally, older sister), addressing a crowd from her wheelchair.

Indian elections have seldom been pretty affairs, certainly not in the last decade, and the gargantuan scale as well of even state legislative assembly elections makes elections in most countries look like tame affairs.  However, even by the rough-and-tumble standards set by politicians and their followers in India, the just concluded elections to the West Bengal Vidhan Sabha will go down not only as one of the most keenly and even bitterly contested elections in the country’s recent history but as a sure indicator of the depth of depravity to which the BJP has sunk and the manner in which it has dragged down institutions such as the Election Commission in its naked quest for power.

Continue reading

The Assassins of Gandhi’s Memory

Vinay Lal

The assassins of Gandhi’s memory are everywhere in India today.  They lurk in many of the highest offices of the land, in legislative buildings, in the alleys and byways of Indian cities, and most of all in middle-class homes where it is an article of faith to hold Gandhi responsible for the partition of India, condemn him for his purported appeasement of Muslims, dismiss him as an anti-modernizer, ridicule his unstinting and principled advocacy of nonviolence, and sneer at him for his effeminizing politics.

Statue of Mohandas Karamchand Gandhi in the Indian Parliament complex, New Delhi.
Continue reading

In-Betweenness and Migrancy: A Tribute to Manglesh Dabral–Migrant, Poet, and a Quiet Rebel

Vinay Lal

The Hindi poet, Manglesh Dabral, died in New Delhi last week, felled as many others have been by COVID-19.  Dabral was a quiet, unassuming man, and, according to those who are truly conversant in Hindi poetry, quite likely among the two or three of the greatest Hindi poets of his generation.  He had a long career as a journalist, having been associated with many leading Hindi newspapers and magazines—in Bhopal, Allahabad, and Delhi—over the course of several decades, and his stewardship of the Sunday literary magazine of the newspaper Jansatta, known as Ravivari, was quite legendary.  His obituaries make note of his many distinguished contributions to Indian literature and journalism and all those need not be rehearsed here at length. Though Dabral’s poetry was translated into English and nearly a dozen other European languages, he was himself an accomplished translator into Hindi of the poetry of Pablo Neruda, Bertolt Brecht, and Zbigniew Herbert among others. 

Continue reading

Yeh Inquilab Hai, Sir: Indian Farmers and the Architecture of Protest

Farmers gathered in protest at the Delhi-Haryana border at Singhu on 4 December 2020. Photograph: Agence France-Presse.

Almost to the day, one year ago, the Dadis (or grandmothers) of Shaheen Bagh stood up to the Indian state while most of the Indian middle class, which capitulated to the Modi government when it first assumed power in 2014, looked on silently as one of the most remarkable nonviolent protests anywhere in the world was carried out with discipline over several months before the pandemic took over the lives of everyone and furnished the state with the pretext to send the Dadis back to their homes.  Now, with the rebellion of the farmers, a new front has been opened in the battle of the country’s ordinary citizens against a wholly authoritarian government that is frighteningly intolerant of dissent and reeks of the arrogance of power.  “Power tends to corrupts”, the English politician and writer Lord Acton famously declared, “and absolute power corrupts absolutely.”

Continue reading

Reveries of One’s Childhood: A Brief Eulogy for Soumitra Chatterjee

Soumitra as the grief-stricken Apu contemplating a future without his deceased wife, Aparna: a still from Apur Sansar (“The World of Apu”)

When Soumitra Chatterjee passed away on November 15, I felt, quite likely in common with many others in India and especially West Bengal who had followed his career, or who had at least more than a passing familiarity with the cinematic oeuvre of Satyajit Ray, as though some part of my own childhood had been yanked from me.  Soumitrada came to fame as the young man Apu who, in the third part of Ray’s trilogy, Apur Sansar (“The World of Apu”), has abandoned the village and the life of a family priest for the thrills and hazards of life in the big city:  Calcutta.  It is said that Ray had wanted to cast him as Apu in the second part of the trilogy, Aparajito, but he was too old for the part of the young Apu.  Yet, such was the spell cast by Soumitra Chatterjee, it seems as if even the child and adolescent Apu were played by him.  The trilogy closes out Apu’s life, but so many lives of the young were set in motion with Apu’s life.  Soumitra Chatterjee, one felt, had been Apu throughout; and Apu’s life became one’s own.

Continue reading

The Virus Loves Density: COVID-19 and the Story of Dharavi

As the coronavirus continues to maul societies, confounding the scientists with its cunning and increasingly finding victims among the young, who were at first considered to be largely invulnerable, it becomes all the more necessary to look closely beyond China and most of Southeast Asia to consider whether other countries or smaller political entities have had been able to prevail in stemming the transmission of the virus. One of the most astounding stories of such success comes to us from Dharavi, as described in my recently published book, The Fury of Covid-19:  The Histories, Politics, and Unrequited Love of the Coronavirus (Pan Macmillan), from where what follows is excerpted with some modifications. Dharavi is often described as the most “infamous” and largest slum in Asia, ‘a cliché of Indian misery’, before the film Slumdog Millionaire turned it into the most “famous” slum by bringing it to the attention of the West.  Somewhere between 850,000 and a million people live in Dharavi, which occupies an area of less than one square mile, or about 2.5 square kilometres, with a population density of over 275,000 per sq. km. To put that in perspective, the population density of New Zealand, which has also flattened the curve, earned the envy of the world, and won accolades for its young female Prime Minister whom the New York Times columnist Nicholas Kristof and late-night American comic Steve Colbert fawn over as the jewel in the crown of world leaders, is 15 per sq. km.

The Virus Loves Density: Dharavi. Source: The Economic Times (2 April 2020).
Continue reading

Gandhi, Secularism, and Cultural Democracy

(on the occasion of the birth centenary of Mohandas Karamachand Gandhi, 2 October 1869 – 30 January 1948)

“Gandhiji at Prayer Time, Parnakuti, Poona”, gouache on paper, 1944. The artist is Chittaprosad, the great advocate of the rights of workers and revolutionary artists. Nikhil Chakravarty described in the newspaper People’s War the circumstances under which he painting was done: “Saturday the 6th of May. The papers flashed the news that Gandhiji was going to be released [from the Aga Khan’s Palace, where he had been detained after his call to the nation to “do or die”] at 8. Without a moment’s ado, Chittaprosad and myself took the next train to Poona. Excitement and speculation ran high, but the people as a whole seemed to be as yet too dazed to celebrate it as a day of national jubilation.”

Since the high and the mighty in this ancient land of ours will use the opportunity of Gandhi Jayanti to garland the statues of the Mahatma and spin the usual homilies about the eternal values of truth and nonviolence, values which are being shred to pieces in India, I can turn to the more humble work of attempting to lay out briefly what remains of Gandhi in an India that is increasingly taking the turn towards becoming a Hindu nation.  The attacks on Gandhi are coming fast and furious from every corner.  His assassin, Nathuram Godse, is being hailed by some Indians as a martyr, a true shaheed.  Reportedly, Godse is trending at #1 on Twitter in India. Gandhi’s statues are vandalized and in social media he is accused of the worst atrocities that can be imagined.  Yet Gandhi was in his lifetime synonymous with India.  When Nehru was once asked what is India, he replied with this short sentence:  “Gandhi is India.”

Continue reading

Identity and the Colossal Failure of Contemporary Electoral Politics

Part III of The Trouble with Kamala:  Identity and the Death of Politics

In an effort to understand what the rise of Harris might mean, it may be more productive to enter into the vortex of her life and the belly of that beast called American politics in a more tangential fashion.  I would wager to say, on no authority except my own hunch as a reasonably educated and moderately well-read person, that Kamala Devi Harris was very likely named after Kamaladevi Chattopadhyay (1903-88).  That this hunch is far from being a demonstrable fact is immaterial since the invocation of Kamaladevi’s name suggests both the possibilities that are inherent in Kamala Harris’s gradual and probable ascendancy to the pinnacle of American politics and, though this will be less evident to most people, the profound misgivings that one must necessarily have about electoral politics–especially at this juncture of history.   It is almost inconceivable that Kamala’s mother, Shyamala, was not inspired by Kamaladevi, a fiery Indian nationalist, socialist, and feminist who was a major figure in India’s struggle for freedom and a close associate of Mohandas Gandhi.  Kamaladevi was not only a staunch advocate of women’s rights but a leading exponent, at a time in the 1930s when even feminists in the West were reluctant to advocate for the complete equality of women, of the idea of equal pay for women and men. She was the first woman in India to stand for elected office, losing her bid for a seat in the Madras Legislative Assembly in 1926 by a mere 60 votes!  Kamaladevi forged extensive contacts with socialist feminists around the world, led satyagraha campaigns in India, and preceded Shyamala Gopalan in making her way to the United States as a single—or, more accurately in this case, divorced—woman for a lengthy visit which took her to prisons, American Indian reservations, and reform institutions in an attempt to understand the underbelly of American life and initiate a transnational solidarity of the oppressed.

Kamaladevi&SarojiniNaidu

Kamaladevi Chattopadhyay (center), with her sister-in-law, Sarojini Naidu, to her left, at the Simla Conference

Continue reading

Identity and Beyond:  Families, Nations, and Interculturality

Part II of The Trouble with Kamala:  Identity and the Death of Politics

Those who do not recognize the manner in which identity politics dominates nearly all conversation in America understand little if anything of America.  What the nomination of Kamala Devi Harris by the Democratic party to the Vice-Presidency of the US signifies is not so much the fact that women have finally arrived on the political scene, or are on the verge of breaking the glass ceiling that has held them back, an argument that was advanced when Hillary Clinton became the party’s nominee for the President, but rather the sheer impossibility of escaping the identity question in American public life.  Let us consider her, in the first instance, as an African American as Harris has herself weighed in on these matters often, describing herself as a Black on most occasions and adverting to her pride in being African American. Her 2019 autobiography, The Truths We Hold: An American Journey is explicit on one particular detail that merits some consideration.  Her parents separated when she was around five years old, and they divorced a few years later; but her mother, who had come from India as a graduate student, was not therefore bereft of a family. Kamala’s parents had a shared political life for some years:  they participated in political demonstrations against racism, discrimination, and injustice, discussed decolonization in Africa, and declared their support for liberation movements in ‘the developing world’.  These dissenters and rebels became, Harris writes, “my mother’s people.  In a country where she had no family, they were her family—and she was theirs.  From almost the moment she arrived from India, she chose and was welcomed to and enveloped in the black community.  It was the foundation of her new American life.”  In consequence, Shyamala Gopalan raised her daughters, Kamala and Maya, as black children:  “She knew that her adopted homeland would see Maya and me as two black girls, and she was determined to make sure we would grow into confident, proud black women.”

KamalaHarrisBabyWithParents

A baby Kamala Harris with her mother, Shyamala Gopalan, and her paternal grandfather, Oscar Joseph, during a visit to Jamaica. (Courtesy of Kamala Harris)

Continue reading